May is headed to a secluded cabin, ready to take some time by herself to practice lines for a potential job as an actor. However, her plans go awry when she realizes someone’s already at the cabin - Elliot, her recently-become-former-lover. <br><br>
Amidst the awkwardness, but also the obvious chemistry, the two try to navigate the situation the best way they can. While they may have met unexpectedly, will they rekindle the romance or will heartbreak define the future of this relationship? The question remains central to the narrative. <br><br>

There is a dedicated attempt to invoke a specific tonality and aesthetic in the portrayal of the events. The approach to all of this remains consistent throughout, even if showing a slight want of more smoothening out of wrinkles in terms of the overall production value of the final result. The film, nevertheless, should be appreciated for the blurring of boundaries and the emotional obscurity of an in-between space that is neither here, nor there. The narratorial engagement with this realm of uncertainty becomes the strongest aspect of the storytelling.




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