Justin returns from work and calls out for his wife in the seemingly empty house. After a little searching, he finds her in an unusual situation, one that would soon turn out to be a reflection of her emotional state in all the chaos that it offers. We are thus presented with the image of a woman who sits with a glass of wine, a lighted candle, and a pillow and comforter in place, but in a dry bath. 

The ensuing scene becomes a microcosm of the predominant drama that would constitute the narrative. Justin and Cassie have recently lost a child, and the grief and its many pressures have taken a toll on their marriage and relationship.

 The intention of the plot therefore becomes about the exploration of how tragedy is capable of both pushing two people apart and pulling them together. Where would, then, our characters find themselves in this marriage that seems to be falling apart, amidst all the pain from the past, and fears for the future?

Gone | Short Film Nominee

A stuntwoman is quarantined with her brother who refuses to move away from the couch, video games and heaps of chips packets. However, she is determined to train and well, get him to train along with her. When two such opposing energies collide, can something productive truly come out of it? The film embraces a humorous approach to explore the answer to the question. The first biggest obstacle is to convince the brother to step outside and start stretching. After overcoming the hurdle of unannounced hunger pangs, they finally begin exercising when a stray punch finds the wrong destination, and thus begins a run and chase of the siblings. Direct and straightforward in its manner, the film is also sweet. Though it could have gained from more control on its light and visuals, on the whole it comes across as exhibiting the desire to share a day in the life of two siblings as comic relief in a world where the reality of a pandemic has become overpowering and overwhelming.

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