Nihilists believe that there is no meaning in existence, hence what is the point of anything? Existentialists differ a little from this to claim that indeed there is no meaning in existence, but while we are here, let's make the most of it. Of course this is an over-simplification, but it adequately provides the overlap on which the primary thought of Untitled Earth Sim 64 rests.
One day, Marie, the protagonist of the film, begins to notice something very unusual about her reality which begins to take the form of visual glitches around her. Before she can puzzle herself more over the strange developments, a 'researcher''s voice addresses her to reveal that the earth, as we know it, is merely a simulation which is now facing some technical difficulties. The knowledge is sufficient for Marie, as it would be for anyone, to end up spiralling in existential despair once she concludes that her life is no more than a cluster of code.
It should be noted that the manner in which all of this is delineated is hilarious, and the pacing is right on point with all the punches landing neatly on target. There is further much to be said about the finesse with which the final product is achieved with a lean cast and crew, and a limited budget. The film packs a full blow within its brief narrative with every special effect succeeding at catching the viewer's eye, while maintaining the tautness of the plot throughout.
In terms of thought, the film does a spectacular job of taking its story forth from the hackneyed philosophical and existential proposition that our entire existence might simply be a simulation, created by an indifferent creator who really has little to no interest in our individual being. Soon, the overarching question that propels the narrative forward, and eventually allows for an uplifting conclusion, becomes - is life truly abominable, even if it's only a simulation?
If a simulation has begun to exist and expand on its own, creating timeless art, on the one hand, followed by the little joys of a perfect meal, on the other, can things actually be considered too bad? It is precisely in this manner that the film also proves to be strangely uplifting and unexpectedly hopeful. Unless, much like Marie, this is how we choose to give ourself hope in a meaningless existence, but that is indeed up to the viewer to decide - if this sense of hope is bona fide or simply a defence mechanism, or if there is a difference at all between the two to begin with?
Read LessOne day, Marie, the protagonist of the film, begins to notice something very unusual about her reality which begins to take the form of visual glitches around her. Before she can puzzle herself more over the strange developments, a 'researcher''s voice addresses her to reveal that the earth, as we know it, is merely a simulation which is now facing some technical difficulties. The knowledge is sufficient for Marie, as it would be for anyone, to end up spiralling in existential despair once she concludes that her life is no more than a cluster of code.
It should be noted that the manner in which all of this is delineated is hilarious, and the pacing is right on point with all the punches landing neatly on target. There is further much to be said about the finesse with which the final product is achieved with a lean cast and crew, and a limited budget. The film packs a full blow within its brief narrative with every special effect succeeding at catching the viewer's eye, while maintaining the tautness of the plot throughout.
In terms of thought, the film does a spectacular job of taking its story forth from the hackneyed philosophical and existential proposition that our entire existence might simply be a simulation, created by an indifferent creator who really has little to no interest in our individual being. Soon, the overarching question that propels the narrative forward, and eventually allows for an uplifting conclusion, becomes - is life truly abominable, even if it's only a simulation?
If a simulation has begun to exist and expand on its own, creating timeless art, on the one hand, followed by the little joys of a perfect meal, on the other, can things actually be considered too bad? It is precisely in this manner that the film also proves to be strangely uplifting and unexpectedly hopeful. Unless, much like Marie, this is how we choose to give ourself hope in a meaningless existence, but that is indeed up to the viewer to decide - if this sense of hope is bona fide or simply a defence mechanism, or if there is a difference at all between the two to begin with?
The idea came to me after a lunch with some colleagues where we talked about simulation theory. It seemed a slightly scary, but equally amusing concept to me, and I thought it might make for a good story, dealing with existentialism in a lighthearted and comforting way.
The script I initially wrote was actually a completely different film that we were going to shoot in Hong Kong in early 2020. We had secured the funding, booked the flights, and our bags were literally packed when we suddenly started hearing about the party pooper that is Covid-19.
Naturally we were forced to cancel and I was suddenly left with a lot of extra time on my hands. I started working on different tests to design the look of the glitches that were to feature in the film. I began to realize how many interesting and funny things you could do with the simulation concept that would never fit in our planned film, and since we now needed a new a project to shoot at home, I wrote Untitled Earth Sim 64.
The script I initially wrote was actually a completely different film that we were going to shoot in Hong Kong in early 2020. We had secured the funding, booked the flights, and our bags were literally packed when we suddenly started hearing about the party pooper that is Covid-19.
Naturally we were forced to cancel and I was suddenly left with a lot of extra time on my hands. I started working on different tests to design the look of the glitches that were to feature in the film. I began to realize how many interesting and funny things you could do with the simulation concept that would never fit in our planned film, and since we now needed a new a project to shoot at home, I wrote Untitled Earth Sim 64.
Jonathan WilhelmssonDirector, Untitled Earth Sim 64
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