Two masked people sit across a table. The ensuing conversation reveals them to be gods, perhaps Zeus and Hera, regretting a fate where they are allowed only a single night of union every hundred years. A mention of a brother who betrayed them invokes Hades for the viewer, as his hounds further conjure an image of Hell. <br><br> The film strives to be a philosophical engagement with ideas of existence, humanity, creation of the world as well as the separation of the lovers. They ponder over the fate of humans and maybe even finally fulfilling their age-old desire of free will. Parallel to this  is the horizon of expectation that the title of the film has established in the viewer's mind right from the beginning. <br><br> The rest of the narrative simply serves to reveal whether or not it would come in the manner in which we expect it. Will the two gods part at the end of the night to again be separated for a century or would humankind be sacrificed, a set of people devolving into a world of chaos anyway without any help from the gods, so that the two can remain together? The question has already been set in motion by the film's opening visual, and it is only in its conclusion that the answer lies.

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