Eschewing hackneyed visuals that might often accompany noise-rock, ‘Macca the Mutt’ presents to you a world of its own. Complete with a characteristic grittiness and unmissable texture, the music video stands firmly on its two feet. The uniqueness of tonality and approach are the main factors allowing the visuals to succeed in this manner.
With Party Dozen's Kirsty Tickle on the saxophone and Jonathan Boulet on percussion, the video conjures distortions and vocal modifications to present its reality to you. While at first glance one might expect a steam-punk aesthetic, the expectation is soon foiled as the video progresses. This is further coupled with musician and singer Nick Cave’s repeated refrain at the end, also marking an exception to the famously reclusive pattern of the artist when it comes to collaboration with other artists and musicians.
In a song that is devoid of all lyrics, save for the refrain, the thematic motivations and their interpretations are the responsibility more of the audience than the creators themselves. However, the video still presents a sense of mundane, futile cyclicality of life, an allusion to a working-class existence and that of manual labor, which is immediately tied with the disruptive sense of discomfort that the song weaves in.
Since the video is very genre-specific, it is not for everyone. And yet, what you make of it is your prerogative entirely, as the vocals and the emotions behind them get reflected in the visual narrative before you.
Read LessWith Party Dozen's Kirsty Tickle on the saxophone and Jonathan Boulet on percussion, the video conjures distortions and vocal modifications to present its reality to you. While at first glance one might expect a steam-punk aesthetic, the expectation is soon foiled as the video progresses. This is further coupled with musician and singer Nick Cave’s repeated refrain at the end, also marking an exception to the famously reclusive pattern of the artist when it comes to collaboration with other artists and musicians.
In a song that is devoid of all lyrics, save for the refrain, the thematic motivations and their interpretations are the responsibility more of the audience than the creators themselves. However, the video still presents a sense of mundane, futile cyclicality of life, an allusion to a working-class existence and that of manual labor, which is immediately tied with the disruptive sense of discomfort that the song weaves in.
Since the video is very genre-specific, it is not for everyone. And yet, what you make of it is your prerogative entirely, as the vocals and the emotions behind them get reflected in the visual narrative before you.
HAVE YOU MADE A FILM?
