Mother/Land

The complexity of some experiences demand more than one medium for an expression. The short film is clear evidence of the same proposition as it ropes in poetry, dance, and the written word itself which forms the body of the narration. In addition to this, it includes a performance that suddenly finds itself in a place in direct contrast with all the lyricism, vastness of setting, and fluidity expressed so far - the confines of a drab corner, marked by its pale greys, where two people sit discussing a letter.

The entirety of the narrative becomes a movement predominantly towards this moment in time, one that stands for not only a conflicted relationship between a son and his mother at a microcosmic level, but also the experience of understanding your identity. The idea of home and belonging, and what it truly means to have the same tied to the identity of your parents, or more specifically, as the title suggests, a mother, then becomes the concern at a more macrocosmic level.

The film exhibits sophistication in its forward motion, as each of these thoughts is brought to life on screen, allowing the plot a cohesive structure. In the process, it further enables the narrative to share its intentions with an emphatic clarity while coupled with a surreal flow of images all along that more than fulfil their aim of communicating the meaning behind them.