The film is a romance nestled within a philosophical engagement that develops between two lovers. Though not devoid of its darkness, it paints a dreamy landscape with its screenplay and visual grammar to bring this reality to life. <br><br>

The narrative is an endeavor in drawing a distinction between being in pain and self-hate, and the manifestation that the two take for our characters. They are star-crossed lovers, but of a kind where the obstacles to their love are not external, but instead an instrument of their own minds. A realm of self-harm, substance abuse, and addiction, with a constant threat of violence, is presented to the viewer alongside one of intimacy and affection. <br><br>

All of this is portrayed with notable camerawork, woven seamlessly with the overall texture and tonality of the film. The film’s thematic and philosophical explorations could perhaps go a little deeper under the surface in future endeavors, in a manner where the creative sentiment is at par with the technical prowess already exhibited in the end result.  




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