A solitary figure takes us into the world of the film, and it is primarily his voice that accompanies the viewer to make sense of all that unfolds. A realm of tight close-ups constitutes this space. It is a fitting visual landscape for the paranoia and the resultant isolation that are presented to the viewer. At its core rests a terrible tragedy, an accident that altered the course of the protagonist’s life in an irrevocable manner. 

The narrative does not delve into the hows and whys of this moment for too long, instead, it simply presents it, an experience of a life that is far removed from society. The emotional impact is achieved not only with the sustained pace of the end result but also with the disconcerting silence of a house where the protagonist is the sole inhabitant, pronounced well in the visual grammar. 

The film remains consistent in terms of the execution of its intentions, as well as the clarity of its portrayal throughout, notably supported by performance and screenplay.

Things That Didn't Happen | Short Film of the Day

At first glance, the film presents a regular evening when three students complete an assignment the old-school way - in a library surrounded by books. However, while their research might be underway away from screens, something forces them to pay attention to their phones. 

The three soon begin to receive horrifying videos that completely alter the course of this mundane night. As violence makes its presence felt, it becomes clear that a terrible entity has the library, and the fate of those inside it, in its grip. The narrative does a zealous job of employing a fixed physical space to invoke horror, alongside the devotion of its cast and makeup department to portray it all for the viewer. 

The moment thus presented is suspended in time within the brevity of the end result which wastes no beats, and in the process, keeps the storytelling and the subsequent narrative, controlled, engaging, and tight all along.

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