The film does a remarkable job of tying something as dark and disturbing as substance abuse and its many devastating consequences with the innocence of childhood and its fantasies. The story opens with the mingling of two very contrasting images in the same vein. 

Our young protagonist Samir plays with his toys, his voice overlapping with the sobbing of a woman, and the visuals of broken glass. His immediate reality is defined by alcoholism and substance abuse of his parents, and the consequent neglect that it leads to. 

The child is quick to take comfort in fantasies that the adult viewer knows will probably never come true. The film’s biggest triumph lies in how skillfully it portrays this contrast and paints a heartbreaking world by simply using a child’s perspective as its primary storytelling tool. The screenplay is constructed with equal care to ensure no beat or moment is left underutilized, driving its message home with impact and clarity.

Night Games | Short Film of the Month

The narrative introduces us to two lovers and a realm marked by separation, intimacy, and unmistakable vulnerability that ties it all together. The film and its namesake music album take audiences on a meaningful journey that is mapped and crafted with thoughtfulness and meticulous care. 

The several tracks taken from the same album conjure metaphors of love, relationships, heartbreak, acceptance, and loss. These are coupled with an intrinsic presence of nature, of thunder and lightning, of the vast expanses of the sea and the sky to further echo everything the narrative intends to convey. The rhythm of the music is tied to the emotional ups and downs of the protagonist, alongside being located within nature's many moods and hues, as if nature itself is the third character present alongside the lovers. 

The camerawork and the visuals it paints are equally and competently supported by the vocals that become an overarching, defining element of the film. The screenplay and the visual grammar employed are stunning not simply in terms of aesthetics but also the emotions they evoke. Consequently, the final result becomes a seamless union of skill and thought, with a deep authenticity of emotion and its expression.

What You Do Alone | Short Film of the Month

A misty, winter wasteland is the viewer’s first introduction to the film’s world. The image that it invokes is of a liminal space defined by its eeriness. It's further coupled with an intrinsic beauty that lends it a strangely atmospheric quality. Amidst it all is located an unnamed protagonist who is lost, and plagued by strange lights in the sky. As he attempts to find his way, the path only gets more and more mysterious and circuitous. 

The screenplay is beautiful in the construction of this space, alongside its two primary performances - our hapless, confused protagonist, and a woman’s presence in the center of a non-descript realm consumed by darkness all around her. Further, the title of the film is thoughtfully chosen - does it refer to a phone call? Does it refer to the strange space the protagonist is unable to make sense of? It serves to deliberately nestle these questions within the narrative. 

The establishment of the world is achieved with such impact that the short in its current form offers a premise for a longer film. It has all the right elements to capture the viewer’s attention. Taking us deeper into its world would help to expand on the narratorial construction which already presents deep potential, skill, and ease in everything that it wants to convey.

Holding Pattern  | Short Film of the Month

The many obstacles of dating in a realm defined by its explosion of colors become our first introduction to ‘Matinee Baby’. Unique and extremely entertaining in its storytelling and world-building, the film presents Robby and Noah-Lee, close friends and colleagues who work at Portland's historic Clinton Street Theater. As the narrative navigates modern-day dating, each potential suitor brings to life an experience more vivid and unexpected than the previous. 
The many complexities of all of these encounters are handled with effortless ease in this queer romantic comedy. The humor remains seamless, roping in campiness while eschewing its many dangers, supported by the performances and the screenplay, both of which exhibit control and skill. 
With the film’s heart in the right place, the story and characters stand firmly on their feet. At no point do the colors, the comedy or the overall end result of the world become overbearing enough to subdue the voices within, presenting to the viewer the film's true triumph.

Matinee Baby  | Short Film of the Month

The scene is set for a porn film to be shot. The actors, the seasoned Luna and the rookie Benjamin, are all ready too. With the frame fixed and the camera in place, only one thing stands in the way of the work from going ahead - the director of this already-doomed-work project. He is abusive, harasses the young Benjamin till no end, and ensures, despite everyone's best efforts, and gradually increasing impatience, the shoot halts more than it progresses. 

A single exchange that encapsulates the narrative most wonderfully is one that unfolds between Benjamin and Luna, as the two get candid over some junk food soon after. 
The film not only employs a fixed space with efficiency and care, alongside notable performances and chemistry but also offers a story that is heartfelt and sincere in its simplicity and vulnerability. It captures one encounter and portrays it with authenticity, taking a chewable bite and, in the process, doing full justice to the end result.

Benny Boy  | Short Film of the Month

The documentary chooses nonagenarian Susan as its protagonist. After a life lived long and well, Susan now shares her reflections on existence in a heartfelt manner. The candid conversation, though brief, is defined by a rare meaningfulness that suffuses a much-needed sense of hope in a world where otherwise stories of heartbreaking realities abound. 
Despite having lived decade after decade where an overwhelming conflict or war always consumed at least some part of the world, Susan’s steadfast dream for a realm that has managed to overcome the many divisive forces of hate and cruelty comes across with impact and clarity. 
The screenplay ties up the articulate candor of its protagonist with mood shots to further drive the message home. The end result, consequently, becomes a purposeful whole that is not only defined by the uplifting intelligence as well as a reflection on life by its protagonist but also the technical know-how and storytelling skills of the entire team behind it.

Echoes of Tomorrow | Short Film of the Month

‘Ollie’ is deliberately constructed to ensure we don't see the titular character on screen; yet, his presence never stops molding the film. Randy has just dropped his differently-abled son at a facility, leaving himself alone in the house for the first time in three years. As emotions begin to overpower him, and he moves from one mundane, empty task to another, we begin to get more glimpses into this broken family. 
A phone call from an unhappy family member is followed by an unannounced visit by Randy’s estranged wife, Pat. The narrative confines itself only to the house, further marked by Randy’s interrupted efforts to repair a broken window. The desire to fix something, however, might not always translate into the result one seeks. 
The same thought finds an echo in the ensuing argument between Randy and Pat, a conversation that encapsulates guilt, grief, resentment, bitterness, and all of the heart-shattering sadness that can sometimes define life. The performances, screenplay, and narratorial progression all ensure that the one distilled moment the viewer is presented with to portray this life is explored with authenticity and meaning.

Ollie  | Short Film of the Month

Romantic and marital relationships inarguably formed a crucial aspect of the many new realities that we struggled with during the 2020 pandemic. The short film explores one such equation while employing a tonality that uses both humor and seriousness in equal measure. The story, in the process, becomes the most notable aspect of the film, alongside the intention to explore the dynamic of a couple in all its subtleties and nuances. 
 
Nancy and Nikhil both battle their respective overwhelming work schedules, alongside raising two little girls. Consequently, the house is often left in a chaotic state of disarray. Much of the burden of sorting it falls on Nancy’s shoulders simply as a result of how gender roles often implicitly end up being defined in a marriage.
Despite his best intentions and dedicated efforts, Nikhil is unable to show up for Nancy in the way she requires. This, in turn, affects the romantic and sexual intimacy between the two. 
The storytelling does an earnest job of portraying how the two navigate the complexities that constitute this reality, while never allowing itself to be overburdened by emotional intensity, and instead, forever allowing humor to undercut the conjured tension. As for our two characters, they have a deeply meaningful realization awaiting them about the significance of small acts and a little more empathy toward one another.

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