Static frames take you into a world marked by routine, mundaneness and isolation. We are introduced to a man whose performance of even the most ordinary tasks, like having a meal or watching television, puts us at unease. This glimpse into his life is interspersed with another visual, marked not by movement, but stillness - the frame of a door. Behind it lie disconcerting secrets, those in whose revelation rest the undoing of this world as we know it. 

<br><br> The narrative comes into its own gradually, presenting every bit of information in a controlled, calculated manner. Consequently, when the reveal arrives, the viewer has been deliberately led far from it, amplifying the ensuing horror and shock. <br>

<br> A Sickness eventually becomes a story that makes us reassess our own preconceived notions. Can you be tricked into believing a version of the truth simply after a superficial comprehension of an issue or concern? The film answers the question, but akin to its approach so far, in a manner that catches you completely unprepared.

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